1: 'George Washington Lambert' (Australian, 1873-1930). Oil Study on Board of a Battlefield Scene in Palestine, circa 1917. Initialled in bottom right corner 'GWL'

2: 'John Drummond Moore' (Australian, 1888-1958). Watercolour on Paper 'Lawson' circa 1930s

3: 'David Hogan' (Australian, 1924-1997) 'Queen Mary'

4: 'William Dobell' (Australian, 1890-1970). Pen on Paper Sketch titled 'Off the Buy a Victory Bond'

5: 'William Dobell' (Australian, 1890- 970). Pen on Paper Compositional Sketch along with a number of Head & Figures studies.

6: John Caldwell' (Australian, 1942-). Mixed media on Paper 'Blue Mountains Landscape'

7: 'Otto Pareroultja' (Australian, 1914-1973). Watercolour on Paper, circa 1949

8: 'Otto Pareroultja' (Australian, 1914-1973). Watercolour on Paper, circa 1949

9: 'Otto Pareroultja' (Australian, 1914-1973). Watercolour on Paper, circa 1949

10: 'Otto Pareroultja' (Australian, 1914-1973). Watercolour on Paper, circa 1949

11: 'Otto Pareroultja' (Australian, 1914-1973). Watercolour on Paper, circa 1949

12: 'Richard Moketarinja' (Australian 1916-1983). Watercolour on Paper circa 1949

13: Aboriginal Bark Painting from Arnhem Land by 'Mandarry Dangbok (aged) 48 yrs.'

14: Aboriginal Bark Painting. Unsigned

15: Aboriginal 'Mimi Spirit Dreaming' by Walter Wamut Blintner

16: Aboriginal 'Mimis in the Billabong' by Walter Wamut Blintner dated '2000'

17: Aboriginal 'Birthing' by Walter Wamut Blinter dated "(19) 97"

18: Aboriginal Dot Painting. Signed 'Maxie' (Tyamajimpa) on back

19: Aboriginal Dot Painting. Signed 'Maxie' (Tyamajimpa) on back

20: Aboriginal Dot Painting. Unsigned but probably by Maxie Tjampajinpa

21: Aboriginal Dot Painting "Magic Ladies Dreaming' by Maxie Tjampajinpa

22: Aboriginal Dot Painting by Johnny 'W'

23: Aboriginal Dot Painting 'Secret Ceremony Men' by George Bush

24: Aboriginal Dot Painting 'Mt Wedge' by George Bush

25: Helen Irish' (Australian ?)Print on Paper titled 'Reflected Light'

26: Helen Irish' (Australian ?) Print on Paper titled 'Happy Hour'

27: Helen Irish' (Australian ?) Print on Paper titled 'Mother & Child'

28: British 19th Century Watercolour of 'The Martyrdom of Ignatius, Bishop of Antioch' (Artist Unknown)

29: 'Marie-Edouard Adam of Le Havre' (French, 1847 - 1929). Oil on Canvas of a of a three-masted Barque, dated 1891

30: Andre Masson' (French, 1896 - 1987). Print on Paper titled 'The Moon' which featured in 1938 in the Artistic Quarterly 'Verve'

31: Original 'Charles Woolley' Sepia Photograph of Truganini (Lallah Rookh) of the Bruni Island Tribe then aged 65 years.

32: Original 'John Lindt' Half-bust Frontal Sepia Photograph of a Young Woman with Fur Headdress and Necklace

33: Original 'John Lindt' Half-bust Frontal Sepia Photograph of a Bearded Man with Scarification on Right Shoulder

34: Original 'John Lindt' Full-length Side-view Sepia Photograph of a Bearded Man with Body Art wearing a Fur Headdress and Cloth. A Shield is strung from his waist and he is holding a Boomerang

35: Original 'John Lindt' Full-length Frontal Sepia Photograph of a Bearded Man with Body Art wearing a Fur Headdress and Cloth. A Shield is strung from his waist and he is holding two Boomerangs and a Spear

36: Original 'John Lindt' Full-length Frontal Sepia Photograph of a Bearded Man with Scarification holding a Stick behind his head and wearing a Fur Headdress and a Fur Loin Cloth. A Shield and Boomerang sit at his feet

37: Original 'John Lindt' Full-length Frontal Sepia Photograph of a Young Man seated with Scarification and wearing a Fur Loin Cloth. He is holding two Boomerangs with a Shield at his feet

38: Original 'John Lindt' Full-length Frontal Sepia Photograph of a Bearded Man seated with Scarification and wearing a Fur Loin Cloth and holding a Stick. A Shield sits at his feet

39: Original 'John Lindt' Full-length Frontal Sepia Photograph of Two Bearded Men seated with Scarification and one wearing a Cloth the other a Fur Loin Cloth. The first has a Bone Tag strung around his neck and both are holding Boomerangs.

40: Original 'John Lindt' Full-length Frontal Sepia Photograph of a Young Man in Fur Loin Cloth standing and an Older Man with Scarification in Breeches reclining. The Young Man is holding a Fishing Net and Club and the Older Man a Boomerang

41: Original 'John Lindt' Full-length Frontal Sepia Photograph of Four Generations of a Family. Mother and Father to left with Daughter cradling a Baby on the Right

42: Original 'Carl Ehlers' Sepia Photograph 'ABORIGINAL CAMP / * PHOTO'

43: Original 'Carl Ehlers' Sepia Photograph 'BUSH TRAGEDY.' Staged photo by Carl Ehlers of an Aboriginal in skirmish with a White Settler, circa 1880s

44: Original 'Paul Foelsche' Half-bust Frontal Black & White Photograph of a Young Man with Scarification to Torso wearing a Feather Headdress and a Cloth

45: Original 'Paul Foelsche' Half-bust Frontal Black & White Photograph of a Young Man with Scarification to Torso wearing a Cloth. The subject is manacled on the left wrist and is probably a prisoner

46: Original 'Paul Foelsche' Half-bust Frontal Black & White Photograph of an Older Man with Scarification to Torso and wearing Breeches

47: Original 'Charles Kerry' Sepia Photograph circa late 1800s. '(1374). / KING GEEDAH. P.(RINCE) OF W.(ALES) ISLAND. / KERRY. PHOTO. SYDNEY.'

48: Original 'Charles Kerry' Sepia Photograph circa late 1800s. '1852. / ABORIGINAL. SHOALHAVEN. / KERRY. PHOTO : SYDNEY.'

49: Original 'Charles Kerry' Sepia Photograph circa late 1800s. '1884. / "GUMBARLEE."CLARENCE RIVER WARRIOR. / KERRY PHOTO : SYDNEY.'

50: Original 'Charles Kerry' Sepia Photograph circa late 1800s. '2644. / ABORIGINAL, MONARO DISTRICT. / KERRY. PHOTO. SYDNEY.'

51: Title page 'The Australian Sketchbook by S.T.G (ill).' An original chromolithograph, circa 1865

52: Homeward Bound,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

53: Bush Funeral,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

54: Squatters Tiger,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

55: Native Police,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

56: Wool Drays,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

57: Stockman,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

58: Native Sepulchre,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

59: Splitters,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865

60: Cattle Branding,' an original chromolithograph from the 'Australian Sketchbook' by colonial artist Samuel Thomas Gill, circa 1865